{"id":1931,"date":"2020-05-12T14:48:41","date_gmt":"2020-05-12T14:48:41","guid":{"rendered":"http:\/\/www.iessenara.es\/Revista\/?p=1931"},"modified":"2022-06-14T17:00:32","modified_gmt":"2022-06-14T16:00:32","slug":"imagenes-de-una-epoca-convulsa","status":"publish","type":"post","link":"https:\/\/www.iessenara.es\/Revista\/?p=1931","title":{"rendered":"Im\u00e1genes de una \u00e9poca convulsa"},"content":{"rendered":"\n

De la Gran Guerra a la Gran Depresi\u00f3n<\/h3>\n\n\n\n

LUC\u00cdA S\u00c1NCHEZ DE LA TORRE. 1.\u00ba de Bachillerato HCS<\/p>\n\n\n\n

\"\"<\/a>
Margaret\u00a0Bourke-White, Louisville, Kentucky, 1937<\/figcaption><\/figure>\n\n\n\n

La fotograf\u00eda es la t\u00e9cnica art\u00edstica de obtener im\u00e1genes por la acci\u00f3n de la luz.<\/p>\n\n\n\n

La fotograf\u00eda se convirti\u00f3, con su invenci\u00f3n, en uno de los\nelementos clave para conocer la historia, principalmente de los siglos XIX y\nXX.<\/p>\n\n\n\n

Im\u00e1genes como el beso de Eisenstaedt, o como la ni\u00f1a quemada\nde Nick Ut, han llegado a nuestros d\u00edas demostrando que la fotograf\u00eda es el\nreflejo de la vida y de los acontecimientos de esta.<\/p>\n\n\n\n

Este trabajo, presentado en la asignatura de Historia del Mundo Contempor\u00e1neo, es un recorrido por la fotograf\u00eda a principios del siglo xx, sobre la Gran Guerra, los a\u00f1os veinte de Estados Unidos y la Gran Depresi\u00f3n del pa\u00eds norteamericano.<\/p>\n\n\n\n

La fotograf\u00eda de los a\u00f1os 20, La Gran Depresi\u00f3n y la IGM (B6)<\/a>Download<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

De la Gran Guerra a la Gran Depresi\u00f3n LUC\u00cdA S\u00c1NCHEZ DE LA TORRE. 1.\u00ba de Bachillerato HCS La fotograf\u00eda es la t\u00e9cnica art\u00edstica de obtener im\u00e1genes por la acci\u00f3n de la luz. La fotograf\u00eda...<\/p>\n","protected":false},"author":3,"featured_media":1934,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_options":[]},"categories":[8],"tags":[68,19],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.iessenara.es\/Revista\/wp-content\/uploads\/2020\/05\/rascacielos.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5mbkp-v9","_links":{"self":[{"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=\/wp\/v2\/posts\/1931"}],"collection":[{"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1931"}],"version-history":[{"count":5,"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=\/wp\/v2\/posts\/1931\/revisions"}],"predecessor-version":[{"id":3205,"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=\/wp\/v2\/posts\/1931\/revisions\/3205"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=\/wp\/v2\/media\/1934"}],"wp:attachment":[{"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}