{"id":2290,"date":"2021-03-07T20:03:00","date_gmt":"2021-03-07T20:03:00","guid":{"rendered":"http:\/\/www.iessenara.es\/Revista\/?p=2290"},"modified":"2021-03-07T20:03:01","modified_gmt":"2021-03-07T20:03:01","slug":"la-moza-tejedora","status":"publish","type":"post","link":"https:\/\/www.iessenara.es\/Revista\/?p=2290","title":{"rendered":"La moza tejedora"},"content":{"rendered":"\n<h3>Un cuento de Marina Colasanti<\/h3>\n\n\n\n<p>ALUMNAS de Bachillerato de Lat\u00edn<\/p>\n\n\n\n<p>Las alumnas de Lat\u00edn de Bachillerato han puesto voz a un cuento de Marina Colasanti, <em>La moza tejedora<\/em>, que nos muestra lo mucho que las mujeres pueden valer por s\u00ed mismas, que no necesitan a un hombre en su vida, ni tener un pr\u00edncipe azul a su lado y que es \u201cmejor estar sola, que mal acompa\u00f1ada\u201d.<\/p>\n\n\n\n<p>Marina Colasanti naci\u00f3 en Asmara, capital de Eritrea (\u00c1frica). Periodista, poeta, narradora y artista, es una voz imprescindible en la literatura latinoamericana. Ha publicado m\u00e1s de cincuenta libros para ni\u00f1os y adultos que han sido premiados por cr\u00edticos, libreros y especialistas. Sus obras han conquistado el coraz\u00f3n de los lectores de todas las edades. Ha recibido el Premio de Poes\u00eda de la Biblioteca Nacional de Brasil, el de la Fundaci\u00f3n Nacional del Libro Infantil y Juvenil, y el Premio Norma-Fundalectura, entre muchos otros.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.iessenara.es\/Revista\/wp-content\/uploads\/2021\/03\/portada-portugues-1.jpg\" alt=\"\" class=\"wp-image-2296\" width=\"505\" height=\"284\" srcset=\"https:\/\/www.iessenara.es\/Revista\/wp-content\/uploads\/2021\/03\/portada-portugues-1.jpg 620w, https:\/\/www.iessenara.es\/Revista\/wp-content\/uploads\/2021\/03\/portada-portugues-1-300x169.jpg 300w\" sizes=\"(max-width: 505px) 100vw, 505px\" \/><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-gestor-del-servicio\"><div class=\"wp-block-embed__wrapper\">\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-2290-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.ivoox.com\/moza-tejedora_md_66453324_wp_1.mp3?_=1\" \/><a href=\"https:\/\/www.ivoox.com\/moza-tejedora_md_66453324_wp_1.mp3\">https:\/\/www.ivoox.com\/moza-tejedora_md_66453324_wp_1.mp3<\/a><\/audio>\n<\/div><\/figure>\n\n\n\n<p>FICHA T\u00c9CNICA<\/p>\n\n\n\n<p><strong>Texto<\/strong>:<\/p>\n\n\n\n<p>Marina Colasanti, <em>La moza tejedora<\/em>, 2004. Traducci\u00f3n de Isabel de los R\u00edos<\/p>\n\n\n\n<p><strong>Locuci\u00f3n<\/strong> (por orden de aparici\u00f3n):<\/p>\n\n\n\n<p>Alba Garc\u00eda de la Fuente; Nour el Houda Maamri Maamri; Luc\u00eda S\u00e1nchez de la Torre; Jimena Gonz\u00e1lez Herrero; Blanca Rodr\u00edguez Manzano; \u00c1frica Prieto Gonz\u00e1lez.<\/p>\n\n\n\n<p><strong>M\u00fasica<\/strong>:<\/p>\n\n\n\n<p>Antonio Vivaldi. <em>Concierto para mandolina en Do mayor RV 425, Largo<\/em>. Frederico Guglielmo. L&#8217;Arte dell&#8217;Arco; <br>Alfred Schnittke. <em>Hymn No. 2 for Cello and Double Bass<\/em>. Torleif Thed\u00e9en &amp; Entcho Radoukanov<\/p>\n\n\n\n<p><strong>Edici\u00f3n<\/strong>:<\/p>\n\n\n\n<p>Jos\u00e9 Fernando Pablos Navazo<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un cuento de Marina Colasanti ALUMNAS de Bachillerato de Lat\u00edn Las alumnas de Lat\u00edn de Bachillerato han puesto voz a un cuento de Marina Colasanti, La moza tejedora, que nos muestra lo mucho que&#46;&#46;&#46;<\/p>\n","protected":false},"author":3,"featured_media":2291,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_options":[]},"categories":[10],"tags":[177,263,15],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.iessenara.es\/Revista\/wp-content\/uploads\/2021\/03\/portada-portugues.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5mbkp-AW","_links":{"self":[{"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=\/wp\/v2\/posts\/2290"}],"collection":[{"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2290"}],"version-history":[{"count":7,"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=\/wp\/v2\/posts\/2290\/revisions"}],"predecessor-version":[{"id":2302,"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=\/wp\/v2\/posts\/2290\/revisions\/2302"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=\/wp\/v2\/media\/2291"}],"wp:attachment":[{"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iessenara.es\/Revista\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}